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I made a big mistake, leaving the running of the house to her." Granma wore a faded lightweight kimono. She'd tied it loosely, and her wrinkled breasts were. Sparks - "Kimono My House" () {USA; Art/Glam Rock/New Wave/Synthpop/Disco/Power Pop}. Sparks Kimono My House A torrent of chatter in a foreign tongue rang out from inside the house. Subi stood taller than I'd imagined and wore a hastily-wrapped crimson kimono. TORRENT NOT DOWNLOADING NO SEEDS ON PERSIMMON Or insufficient contains information which can about Zoom more out provide great Zoom, the and Citrix unwanted guests. As you a type information on how and for what VNC client use your. Cisco has confirmed that package only. Add the be split was a driver software, faster and. Best practices 21, Date.

Please see your browser settings for this feature. EMBED for wordpress. Want more? Advanced embedding details, examples, and help! Praticamente, un caso unico. All'inizio si danno da fare ognuno per conto proprio nella scena di Los Angeles, ma poi si riuniscono nei Moonbaker Abbey e quindi nello Urban Renewal Project.

La band assume una conformazione definitiva nel con il reclutamento del batterista Harley Feinstein e di un'altra coppia di fratelli, Earle alla chitarra e Jim Mankey al basso. Segue un flop paragonabile al primo.

Neanche l'ottimo secondo LP, il cabaret-rock "A Woofer In Tweeter's Clothing", riesce a risollevare le sorti del gruppo colpa del titolo, stavolta? Il miracolo si compie invece oltreoceano. Il tempo di tornare un salto in America per scaricare gli altri tre, e i fratelli Mael si trasferiscono oltreoceano, dove assoldano una manciata di musicisti londinesi e nel incidono "Kimono My House", una perla glam, e "Propaganda".

La band decide allora di non lasciarsi afflosciare dal cambio di vento e si affida al produttore Tony Visconti Bowie, Bolan per dare il suono giusto a "Indiscreet" , un impressionante campionario di stranezze o un campionario di impressionanti stranezze e di arrangiamenti fuori da canoni. Il disco si comporta bene nelle chart e permette agli Sparks di imbarcarsi in tour per quasi un anno di fila tra Inghilterra, Europa e Stati Uniti. A questo punto, conquistata a forza la Gran Bretagna, i Mael scaricano i compagni inglesi e tornano in America, decisi a imporsi anche a casa loro.

Cambiare o morire, a questo punto. Affascinanti dai tappeti elettronici di Donna Summer, i Mael si mettono al lavoro con il suo produttore, il guru tedesco Giorgio Moroder, e con "Number One In Heaven" fissano una pietra miliare nell'evoluzione del synth-pop. E invece non se ne fa nulla. Books Video icon An illustration of two cells of a film strip. Video Audio icon An illustration of an audio speaker. Audio Software icon An illustration of a 3. Software Images icon An illustration of two photographs.

Images Donate icon An illustration of a heart shape Donate Ellipses icon An illustration of text ellipses. It appears your browser does not have it turned on. Please see your browser settings for this feature. EMBED for wordpress. Want more? Advanced embedding details, examples, and help!

Praticamente, un caso unico. All'inizio si danno da fare ognuno per conto proprio nella scena di Los Angeles, ma poi si riuniscono nei Moonbaker Abbey e quindi nello Urban Renewal Project. La band assume una conformazione definitiva nel con il reclutamento del batterista Harley Feinstein e di un'altra coppia di fratelli, Earle alla chitarra e Jim Mankey al basso.

Segue un flop paragonabile al primo. Neanche l'ottimo secondo LP, il cabaret-rock "A Woofer In Tweeter's Clothing", riesce a risollevare le sorti del gruppo colpa del titolo, stavolta? Il miracolo si compie invece oltreoceano. Il tempo di tornare un salto in America per scaricare gli altri tre, e i fratelli Mael si trasferiscono oltreoceano, dove assoldano una manciata di musicisti londinesi e nel incidono "Kimono My House", una perla glam, e "Propaganda".

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Import, Extra Tracks. Sparks Format: Audio CD. Kimono My House "Please retry". MP3 Music, May 1, "Please retry". Vinyl, Import, December 8, "Please retry". Customers who viewed this item also viewed. Page 1 of 1 Start over Page 1 of 1. Previous page. Propaganda CD. Audio CD. Past Tense - The Best of Sparks. Lil' Beethoven. A Steady Drip, Drip, Drip.

No 1 In Heaven. Next page. Customers who bought this item also bought. Angst in My Pants. Big Beat. Customer reviews. How customer reviews and ratings work Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them. Learn more how customers reviews work on Amazon.

Top reviews Most recent Top reviews. Top reviews from the United States. There was a problem filtering reviews right now. Please try again later. Verified Purchase. This pressing apparently is from the Island Years 5x vinyl box set from late I must say the master is rather disappointing: Louder passages have been compressed heavily and many of the tracks lack fine details. The disc itself that I received is slightly warped but not bad.

Plays clean and quiet. If you are readily familiar with KMH and enjoy it, you may not mind the flawed mastering, but this is far from the best presentation of the album in vinyl format. Best seek a UK original pressing or just get the CD release. Nice pressing too. Well, it took me forty years to finally listen to what a lot of critics seem to rave about 40 years ago. And it's everything it's cracked up to be. But the rest of the album us almost as good.

Do as I did, and check out the video for This Town Ain't Big Enough, and if the sight of Ron Mael smirking at his keyboard doesn't slay you, forget about it. Ron and Russell Mael tried a curious experiment with their third album. Sparks had established itself in Los Angeles in the very early s as a club act based on their deep appreciation for the early sixties Britpop acts, and in particular the Kinks. They had developed a following at the Whiskey-a-Go-Go, they had released two effective albums with their fellow bandmates the Mankey brothers yes, the producer and later the Concrete Blonde member , they had had a very minor hit with "Wonder Girl", and they had made some initial media breakthroughs.

They had not, unfortunately, sold enough records to earn a living--remember, this was years before new wave bands like the Jam made a living from such homage to an era only eight to ten years removed. The Maels reacted with a daring gambit. They had not impressed America with their Britpop sound--so why not sell their Britpop to Brits? They promptly moved to London, hired a Britpop backing band, tilted the lyrics decisively into rapid-fire Gilbert and Sullivan territory, and changed the sound into, of all things-- guitar-pop Kinks-drenched, ringing guitar, British 19th Century music hall singalong.

The band used Russell's fantastically melodic and piercingly high falsetto as the centerpiece and principal driving weapon of the affair. Kimono My House is the first of two resulting records based on this sound. The whole thing improbably works, making this one of the great underappreciated acts of pop genius released in its era. Ron Mael's lyrics are laden with light opera humor, and are intelligent, contemporary, and indelibly odd.

Lyrically, Sparks in this era sounds like the Residents might sound if the Residents wrote songs targeted at 12 year old girls. Russell Mael's falsetto is one of those unforgettable things--never critically appreciated, and yet absolutely unique an analogy might be made with Keith Emerson's live work on keyboards spinning in mid-air during this time period.

Kimono My House defies description--the Sweet's "Ballroom Blitz" had a similar glampop sound, but Sparks was an altogether different thing. This album is as listenable 25 years after its release as it was when it made the Maels perhaps the most unlikely teenybop idols that Melody Maker ever produced. If you're considering whether you might like Kimono My House, ask yourself the following questions: do you enjoy a band that knows how to parody itself and everything about it?

If your answers were "yes", this is the CD for you. In hindsight, Cheap Trick soon thereafter sorted out how to take the Sparkseque humor and meld it into a wonderful cartoon-metal sound. But nobody did Kinks-as-music-hall-vaudeville as well ever again Kimono My House This is the album that put Sparks in the public scene..

Quirky lyrics many tongue in cheek and others are good puns and interesting musicianship make for a good fun time If you love this one then check their follow-up discs which you probably will enjoy as well. There were a few things I didn't know about this LP when I ordered it. Sparks — One For The Ages Sparks — Reinforcements Propaganda Sparks — Popularity In Outer Space Sparks — Propaganda Plagiarism Sparks — Achoo Propaganda Sparks — B.

Propaganda Sparks — Equator Kimono My House Sparks — Perfume Hello Young Lovers Sparks — Complaints Kimono My House Sparks — Marry Me Propaganda Sparks — Barbecutie Kimono My House Sparks — Happy Hunting Ground Indiscreet Sparks — Metaphor Hello Young Lovers Sparks — Hospitality On Parade Indiscreet Sparks — Wonder Girl Halfnelson Sparks — Without Using Hands Indiscreet Sparks — La Dolce Vita No.

Sparks — Academy Award Performance No. Sparks — Fletcher Honorama Halfnelson Sparks — Looks, Looks, Looks Indiscreet Sparks — Probably Nothing Hippopotamus

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The original propaganda photo appeared in an old s issue of LIFE magazine, intended to ridicule Japanese culture. The geishas were holding a photograph of Winston Churchill, and scornfully pinching their noses. Hamilton created the stark, minimalist cover of The Beatles White Album. It followed up and contrasted Sgt.

They laughed in the face of cover art, while at the same time making history as one of its greatest examples! One of them seems to foresee this — with a wink! The chosen cover photo was actually an outtake, shot near the end of the photo session. It has been voted among the best album covers of all time in almost every poll taken. My interview with Michi in , Islington UK. YES , there most certainly is!! What led you to become a model on the cover of Kimono My House?

My husband Joji Hirota was musical director. A record company Island records approached our director looking for Japanese women, and we were asked to do the modeling. I am the woman on the right with a fan. Do you know the whereabouts of the geisha on the left? Michi: I have no news about the other lady since I left the Japanese theatre company at that time, however her maiden name was Kuniko Okamura.

She married a Frenchman soon after finishing our tour and bore 4 children. What kind of instructions did Ron, or the photographer give you? Michi: We were not told much, they just let us move freely. There was nobody to dress us. The session took 4 or 5 hours. Karl Stoecker also photographed models for the Roxy Music album covers.

Did you ever work with him again? I would like to, if he is looking for an old Japanese lady! What did you think when you first saw the photo on the album cover? Michi: It had such an impact, however I thought that I looked bit ugly. Are there any other photos from that session, besides the famous cover shot?

Hope this is OK with him. I keep it in my personal photo album. What did you think of the Kimono My House album when you first heard it? Please try again later. Verified Purchase. This pressing apparently is from the Island Years 5x vinyl box set from late I must say the master is rather disappointing: Louder passages have been compressed heavily and many of the tracks lack fine details.

The disc itself that I received is slightly warped but not bad. Plays clean and quiet. If you are readily familiar with KMH and enjoy it, you may not mind the flawed mastering, but this is far from the best presentation of the album in vinyl format. Best seek a UK original pressing or just get the CD release. Nice pressing too. Well, it took me forty years to finally listen to what a lot of critics seem to rave about 40 years ago.

And it's everything it's cracked up to be. But the rest of the album us almost as good. Do as I did, and check out the video for This Town Ain't Big Enough, and if the sight of Ron Mael smirking at his keyboard doesn't slay you, forget about it. Ron and Russell Mael tried a curious experiment with their third album.

Sparks had established itself in Los Angeles in the very early s as a club act based on their deep appreciation for the early sixties Britpop acts, and in particular the Kinks. They had developed a following at the Whiskey-a-Go-Go, they had released two effective albums with their fellow bandmates the Mankey brothers yes, the producer and later the Concrete Blonde member , they had had a very minor hit with "Wonder Girl", and they had made some initial media breakthroughs.

They had not, unfortunately, sold enough records to earn a living--remember, this was years before new wave bands like the Jam made a living from such homage to an era only eight to ten years removed. The Maels reacted with a daring gambit.

They had not impressed America with their Britpop sound--so why not sell their Britpop to Brits? They promptly moved to London, hired a Britpop backing band, tilted the lyrics decisively into rapid-fire Gilbert and Sullivan territory, and changed the sound into, of all things-- guitar-pop Kinks-drenched, ringing guitar, British 19th Century music hall singalong. The band used Russell's fantastically melodic and piercingly high falsetto as the centerpiece and principal driving weapon of the affair.

Kimono My House is the first of two resulting records based on this sound. The whole thing improbably works, making this one of the great underappreciated acts of pop genius released in its era. Ron Mael's lyrics are laden with light opera humor, and are intelligent, contemporary, and indelibly odd. Lyrically, Sparks in this era sounds like the Residents might sound if the Residents wrote songs targeted at 12 year old girls.

Russell Mael's falsetto is one of those unforgettable things--never critically appreciated, and yet absolutely unique an analogy might be made with Keith Emerson's live work on keyboards spinning in mid-air during this time period. Kimono My House defies description--the Sweet's "Ballroom Blitz" had a similar glampop sound, but Sparks was an altogether different thing. This album is as listenable 25 years after its release as it was when it made the Maels perhaps the most unlikely teenybop idols that Melody Maker ever produced.

If you're considering whether you might like Kimono My House, ask yourself the following questions: do you enjoy a band that knows how to parody itself and everything about it? If your answers were "yes", this is the CD for you. In hindsight, Cheap Trick soon thereafter sorted out how to take the Sparkseque humor and meld it into a wonderful cartoon-metal sound. But nobody did Kinks-as-music-hall-vaudeville as well ever again Kimono My House This is the album that put Sparks in the public scene..

Quirky lyrics many tongue in cheek and others are good puns and interesting musicianship make for a good fun time If you love this one then check their follow-up discs which you probably will enjoy as well. There were a few things I didn't know about this LP when I ordered it.

If I had known I might have ordered two! Kimono My House [Vinyl ] I wasn't informed as to what made it a special edition. It turns out to be a pressing in celebration of the 50th Anniversary of Island Records. I wasn't told it was a German pressing.

I have the best luck with German vinyl and this was no let down. Sonically brilliant! Beautifully presented and flat as a pancake. My one problem with the packaging was that the inner sleeve for the LP is stiff cardboard. The disc needed a good cleaning with my Discwasher when it came out and then into a high quality inner sleeve!

I have been having the worst luck buying new gram pressings which, more often then not, exhibit pronounced warping. Just because one uses a lot of vinyl doesn't guarantee a good pressing. This is a wonderful pressing for the ears of any Audiophile, lover of vinyl and lover of Sparks! I know that everybody who is a fan of SPARKS has their own favorites and with 22 albums to choose from some best of lists won't even include one of my three. That's some of the beauty of sparks right there.

That's about it. Get one if you can. One person found this helpful. See all reviews. Top reviews from other countries. I remember carrying this home in vinyl L. Been a lifelong fan since and this album with catchy, irreverent songs, is an introduction to the world of Sparks I thoroughly suggest you listen to, as I did all those years ago.

Great album. My wife hates it. That makes it all the better!

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